Saturday, July 16, 2011

0 Runway Report: Paris Haute Couture Fall/Winter 2011--Chanel


Bouclé Lamp Shade Couture...

Freja Gives Tweed: Model Freja Bbeha Erichsen in Chanel Fall/Winter 2011 Haute Couture

For Fall/Winter Haute Couture, Karl Lagerfeld, Creative Emperor of the House of Chanel went Dark, moody, and very traditional to the old-school 1920's/1930's aesthetic for Gabrielle "Coco" Chanel. The collection began with lots of those traditional and iconic tweed/
bouclé suits which will make his devoted clientele from St. Tropez to Shanghai very happy. Most of these suits featured elbow-length oversized sleeves (as opposed to those super-tight, can-barely-move-my-arm Chanel sleeves). The peplum was a HUGE silhouette detail for this collection, showing up in the suits as well as the gowns toward the end. If it's up to Karl Lagerfeld, the Chanel Couture Woman will be in a "Lamp Shade" mode when it comes to this year's Fall/Winter season.

Lunch Ensemble: Chanel Fall/Winter 2011 Haute Couture

Colors ranged from light gray...to silver gray...to dark gray--as well as black and midnight blue. There were "shots" of fuchsia for the client in need of more color than just four shades of GRAY. And of course, all the expert Lesage (it's owned by Chanel after all!) hand-beading and sequins that Chanel Haute Couture is famous for was there in almost each and every look. Beautifully done and one assumes, terribly costly. But who cares, it is Couture! Doesn't every billionaire's wife need a hand-made tweed suit with hand-beaded Lesage embroidered sequins to wear to her next lunch date at the Hotel Plaza Athenee?? Take a look:


Red Carpet Gray: Chanel Fall/Winter 2011 Haute Couture

Fuchsia Office: Chanel Fall/Winter 2011 Haute Couture

Gown de Peplum: Chanel Fall/Winter 2011 Haute Couture

Going to Hollywood: Chanel Fall/Winter 2011 Haute Couture

Le Sari Mariage: Chanel Fall/Winter 2011 Haute Couture

Click Below for Full Chanel Haute Couture Fall/Winter 2011/12 Runway Show--Part 1:



Chanel Fall/Winter 2011/12 Haute Couture--Part 2:

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